Monday, September 12, 2011
The end of Mrs. Dalloway
In my mind, the ending of Mrs. Dalloway was the better for its lack of suicide. All deep character-defining characteristics aside, a suicide there would just be too expected. "Ennui-filled housewife commits suicide" is so New Yorker; it's almost a cliché, honestly. You can't build a great novel around such a specific and tired premise. The ending as it stands actually makes us think. The conclusion we arrived at in class-- that is, that the ending is in many ways a celebration of life-- makes a lot of sense to me, and I'm more than a little enamored of Clarissa's Joie de vivre. In class, a couple of people intimated that perhaps Clarissa was supposed to be a superficial character, and that her "deep" thoughts were merely Woolf's way of showing that even the most shallow people think about death and so forth. Nonsense, in my opinion; we're given a number of flashbacks to her having almost tragically "modern" and "deep" conversations with Peter and so forth. She might appear superficial superficially, but she's a smart girl, and this makes the fact that she ends up with such a healthy and positive outlook really nice and quite unexpected.
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"She might appear superficial superficially" is an odd-looking but actually profound way of putting it. The novels' view of social life is that it *is* "superficial"--the parts we see of each other in daily interactions, and even in more intimate interactions, are, according to Woolf and Clarissa, merely "apparitions"--a fleeting and transient appearance. It's Woolf's view of human consciousness that no matter what "apparition" we present to the world, there's always a *lot* more going on under the surface.
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